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Tag "Bonneville Salt Flats"

Self-taught photographer Robert McCarter on why he’s drawn to Bonneville, what it’s like to create emotion for others in his photos, and why shooting Walmart parking lots was way more fun than Black Friday shopping.

Interview with Photographer Robert McCarter
Interview with Photographer Robert McCarter
Interview with Photographer Robert McCarter

How did you get introduced to photography?
I’ve always been interested in cars so it was only natural to take photos of what I liked for either ideas or inspiration. My photography skills progressed from there.

Interview with Photographer Robert McCarter
When sizing up a subject or shot, what’s the first thing you focus on?
Since most of my photography is what I happened upon, I focus on what I want in the shot first then immediately after I focus on what I don’t want in the frame. The latter is most often the hardest part to work around.

Capturing that perfect slice of time – how do you know where you need to be for a shot?
That usually happens right after I’ve missed that moment, but you remember the mistakes, learn from it and move on to making new mistakes.

How have you evolved as a photographer from your first days at this craft?
I started out just shooting cool cars or ideas I wanted to use on my own projects. Now I find myself shooting for other people. By that I mean trying to capture something that creates an emotion for others.

Best piece of advice you ever received about photography?
Don’t throw anything away. Even if it’s a horrible photo, look at it, study it, figure out what is wrong with it and what you could have done differently. Obviously, this is easier in the digital age.

From your experience, have your best shots come from perfect planning or accidents?
Accidents by far. Even if it was a planned shot, I learned how to reproduce it from a previous happy accident.

Interview with Photographer Robert McCarter
Interview with Photographer Robert McCarter
You’ve spent some time shooting at Bonneville, and you have a book aptly named Salt Shaker. How did this project come about?
I used to mail photo DVDs to friends as a way to share my photographs of the major shows and events I attended. However, some of these friends are PC handicapped or had no means to view a DVD. After my first visit to Bonneville I came up with the idea of making a cheap little book I could send to friends. I printed the first version at home and showed it to a few locals who encouraged me to make a serious effort at it to sell. The project grew from there.

“I’ve learned most of my skills the hard way, self-taught. Having never attended art school or taken photography lessons I’ve just winged it. Even my main source of income is a trade that is mainly self-taught, upholstering hot rods and customs. So far this method has paid off, though I admit it probably isn’t the easiest route.”
– Robert McCarter

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Photographer Brad Harris shares some of his photos and thoughts from covering the World Finals at Bonneville last year. He visited the Burning Man of Speed last October for the first time.

Brad Harris

Brad Harris

Brad Harris

Brad Harris

Brad Harris

Brad Harris

Brad Harris

“Some of the sleeker racers…they use so much fuel to go three miles…those engines just pound through that stuff. You can really feel it when you’re there…it’s not just in your ears…it’s sound waves hitting you.”
– brad harris

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We’re back from Bonneville and have a ton of shots that we’ll be showcasing this week. It was our first time at The Salts…it won’t be the last.

Bonneville Speed Week

Bonneville Speed Week

Bonneville Speed Week

Bonneville Speed Week

Bonneville Speed Week


Bonneville Flyer

Gunther

Bonneville Speed Week

Bonneville Speed Week

Bonneville

“What’s it sound like on the starting line at Bonneville? It’s like the gods crapping lightning.”

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::  Sports & Outdoors

We’re making the pilgrimage to The Bonneville Salt Flats on August 11th & 12th. It’s our first coverage of an event and we can’t think of a better pure motorsports event in the world than Speed Week.
 
We’ve created a site just to post all the images and videos we expect to upload from The Salts. Visit WallClipper to catch mega-large photos, videos, and hopefully a couple of interviews. Drop us a line if you’re going…the adult sodas are on us.

Interview with Photographer Simon Davidson

Interview with Photographer Simon Davidson

Gunther-Maier

Gunther-Maier

Going to Bonneville and want to share your photos? Submit your shots, and we’ll post the best-of-the-best photos on Megadeluxe + WallClipper.

 
 

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Vincent Prat is one-third of “The Impossible Team,” (JR Ortega and his BMW, and El Solitario with their Triumph T120). This moto-band is set to race at Speed Week in Bonneville this August. Should be a glorious time. And it looks like I’m going there to witness these guys go balls out. Vincent sent pictures of his Triton (now crated and ready to fly to Bonneville).

I also interviewed Vincent about The “Impossible” Project, the recent Wheels & Waves get-together, and the new style of custom bikes he’s starting to see in Europe. I’ll post this interview later this week.

The "Impossible" Project :: Vincent Prat's Triton

The "Impossible" Project :: Vincent Prat's Triton

The "Impossible" Project :: Vincent Prat's Triton

The "Impossible" Project :: Vincent Prat's Triton

“With the Triton complete, I am now ready to ride on the salt as part of “The Impossible Team”: JR Ortega and his BMW(Madrid), and El Solitario with their Triumph T120 (Vigo). Right now, the bike is in a crate and ready to fly away to the USA. I will see it again on the other side.”
– vincent

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::  Motorcycles

Photographer/Artist Michael Alan Ross on what it’s like to shoot cars (Bonneville Salt Flats in particular), stars, and still keep a sense of humor – all while staying on top of his game. We’re highlighting his hot rod shots in this post, but we’ll be back to visit more of his epic portfolio.

Michael Alan Ross Photography (1)
Michael Alan Ross Photography (2)

“I love images that make me stop and think. Not about ‘how did they do that?’ but an image that makes me put down my coffee, stop walking, talking and really capture me.”
– michael alan ross

About Michael Alan Ross:
I’ve been a shooter since the ’90s in NYC. I helped several Ford and Wilhelmina models market themselves while creating images for their portfolios and comp cards.

I also shot still life for designers such as Rochas of Paris and Anna Sui. It was a full concentration on detail work but being stuck inside all day was not my favorite thing. I would always have to break and take a walk outside. Every day seemed like January 3rd. I was in a black hole and needed to find daylight and a touch of reality.

So how did you overcome those black holes and find that daylight and reality?
Just by being outside, taking in the air, the people on the street, the vibe of NYC. It would bring me back to life so I could go back into my dark set and continue the shoot.

I was working with an assistant one day who had never worked with me. At around 3:00 I said, OK time to move. She was, at first, puzzled that I wanted her to stop and take a walk with me. By the the time we got back after stopping for coffee and something sweet, she said “I really like your work ethic.” You have to make it FUN, no matter what you do.

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Michael Alan Ross Photography

Your dad handed you a camera at the tender age of nine, can you tell me about that?
My parents nurtured creativity. My grandfather worked for the Long Island railroad as a signal man but he was a true camera buff. My father passed the baton. I’m forever grateful.

They also encouraged music in the house at all times. As a result, I’ve been a professional musician and a professional photographer.

You’ve said, “You have to find that feeling in the car.” Can you elaborate on this?
Well, I guess what I’m always looking for is the soul of the car. I approach cars like people. They are an extension of an individual, a designer. Each designer has a vision of what that car’s soul is. It’s my job to find it and bring it to the surface.

Michael Alan Ross Photography (3)
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